人老簪花不自羞,花应羞上老人头。
醉归扶路人应笑,十里珠帘半上钩。
The street sees jolly gents arrayed with a twist.
Peony flowers style their grey hair with regrets.
They totter and stagger on their tipsy steps,
Bead curtains all semi-rolled to miles ahead.
Another good example of qijue (4-line poem with 7-character verse) which is very short but nothing short of ambition in exploring the theme to the maximum where the underlined message is far greater than four lines. A glimpse of a short moment on the street evoke in the readers’ mind a streaming of vivid imaginations about the festival – the romantic sentiments in Song’s lifestyle, the shared happiness of high-ranking officials with common people, the openness and freedom in the general governing attitude in Hangzhou. Su Shi was a celebrity but approachable, not hindered by pride and prejudice. He loved people, and was loved by people wherever he went. Today, he is probably most loved among contemporary readers as the best of what Great Song could offer.
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