English Rendering
Her robe is a cloud, her face a flower;
Her balcony, glimmering with the bright spring dew,
Is either the tip of earth's Jade Mountain
Or a moon- edged roof of paradise.
Her robe is a cloud, her face a flower;
Her balcony, glimmering with the bright spring dew,
Is either the tip of earth's Jade Mountain
Or a moon- edged roof of paradise.

云想衣裳花想容,春风拂槛露华浓。
若非群玉山头见,会向瑶台月下逢。
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雲想衣裳花想容, 春風拂檻露華濃。
若非群玉山頭見, 會向瑤臺月下逢。
Folk-song-styled-verse
This poem illustrates the supposed love story between the emperor and his consort Yang Guifei, one of the Four Beauties of ancient China. According to some historical accounts, the emperor and Yang Guifei would enjoy a nighttime celebration of peony-viewing whenever the peonies were in full bloom. During one celebration, the emperor was displeased with the selection of music and called for Li Bai to write a song. Li Bai, who was supposedly drunk during this time, rapidly composed this poem that pleased the emperor. In praising Yang Guifei’s beauty, Li Bai writes that her clothes resemble billowy clouds, and her blush like the blossoming flowers. The next line describes ordinary aspects of nature — wind and dew — that suddenly attract the attention of Li Bai because of their magnificent wonder; even the simplest aspects of nature become immortalized by Yang Guifei’s presence. The final two lines hint at Yang Guifei’s mystical and goddess-like beauty; because ancient Chinese legend regarded the Jade Mountain as a home for fairies, Li Bai suggests that Yang Guifei’s beauty makes her appear to be a fairy instead of a common human.
Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.
Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.
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