A Song of Pure Happiness I
- Poetry of Li Bai (Li Po)

《清平调·其一》

English Rendering

Her robe is a cloud, her face a flower;

Her balcony, glimmering with the bright spring dew,

Is either the tip of earth's Jade Mountain

Or a moon- edged roof of paradise.

A Song of Pure Happiness I by Li Bai (Li Po)
A Song of Pure Happiness I by Li Bai (Li Po)

Original Text (中文原文)

Simplified Chinese Version

云想衣裳花想容,春风拂槛露华浓。

若非群玉山头见,会向瑶台月下逢。

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Traditional Chinese Version

雲想衣裳花想容, 春風拂檻露華濃。

若非群玉山頭見, 會向瑤臺月下逢。

Analysis & Context

Folk-song-styled-verse

This poem illustrates the supposed love story between the emperor and his consort Yang Guifei, one of the Four Beauties of ancient China. According to some historical accounts, the emperor and Yang Guifei would enjoy a nighttime celebration of peony-viewing whenever the peonies were in full bloom. During one celebration, the emperor was displeased with the selection of music and called for Li Bai to write a song. Li Bai, who was supposedly drunk during this time, rapidly composed this poem that pleased the emperor. In praising Yang Guifei’s beauty, Li Bai writes that her clothes resemble billowy clouds, and her blush like the blossoming flowers. The next line describes ordinary aspects of nature — wind and dew — that suddenly attract the attention of Li Bai because of their magnificent wonder; even the simplest aspects of nature become immortalized by Yang Guifei’s presence. The final two lines hint at Yang Guifei’s mystical and goddess-like beauty; because ancient Chinese legend regarded the Jade Mountain as a home for fairies, Li Bai suggests that Yang Guifei’s beauty makes her appear to be a fairy instead of a common human.

Reader's Companion

The Essence of the Verse

Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.

Reading Between the Lines

Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.

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